John Lee Hooker - That s My Story

Kenmerken

Conditie: Nieuw

Genre: Blues

Beschrijving

(originally released in 1960)2008 US repressed on 180g vinyl =This rare 1960 Riverside blues date finds John Lee Hooker both in a trio setting with jazz musicians Sam Jones bass and Louis Hayes drums who were Cannonball Adderleys rhythm section at th...
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Release date 09-06-2008 (originally released in 1960)

2008 US repressed on 180g vinyl =This rare 1960 Riverside blues date finds John Lee Hooker both in a trio setting with jazz musicians Sam Jones bass and Louis Hayes drums who were Cannonball Adderleys rhythm section at the time and unaccompanied on a few numbers as well. A departure from his R&B VeeJay output Thats My Story features more of a stripped down acoustic country-blues sound courtesy of producer Orrin Keepnews. The compelling 12-song set boasts all Hooker originals and is highlighted by the warning shot of Gonna Use My Rod the gospeltinged One of These Days and the stirring solo cuts Thats My Story and Democrat Man.

Tracks
A1 I Need Some Money
A2 Come On And See About Me
A3 I'm Wanderin'
A4 Democrat Man
A5 I Want To Talk About You
A6 Gonna Use My Rod

B1 Wednesday Evenin' Blues
B2 No More Doggin'
B3 One Of These Days
B4 I Believe I'll Go Back Home
B5 You're Leavin' Me, Baby
B6 That's My Story

Hooker s earliest Riverside albums presented him playing solo acoustic guitar in a conscious effort to direct his work to listeners outside the R&B audience Opinions differ on the matter but this outing is more interesting than his solo acoustic Riverside records due to the presence of a supporting rhythm section on most of the tracks The liner notes in the fashion of the day are almost apologetic about this emphasizing that it s not to create R&B rhythms but to free Hooker from the burden of carrying the full rhythm load To make matters more palatable for the purists maybe that s why a couple of jazz players were chosen for the job bassist Sam Jones and drummer Louis Hayes who formed the rhythm section for Cannonball Adderley at the time&nbspWhat s&nbspimportant is not how pure the music is but that it s a decent album striking a good midpoint between his acoustic and electric soundAll Music Guide

&nbsp Bob Gendron The Absolute Sound June/July 2005 Issue 154


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